I’m deep into writing another book—a sequel to Ant-Lands. This is by popular request. “Honey, write a sequel to Ant-Lands,” was a popular request of my husband’s. I don’t usually read sequels myself, having formed an unfavorable opinion of them when I was six years old and wasted a week of my young life on the insipid Heidi Grows Up; but I feel like I owe my husband something for being my most faithful and supportive reader. He once compared my work favorably to that of Joseph Conrad, his own preferred author, and though I don’t believe for a moment that he really thinks I’m in Conrad’s class, the memory of his heroic attempt to sound sincere when he said it is something I will always treasure.
Just to make a change from Ant-Lands, which was written in the third person, I’m writing the sequel in the first person. I admit to feeling a certain hesitance about this—not because I don’t like writing in the first person (witness this blog), but because I’m haunted by a remark from a friend concerning the first-person point of view.
Her name was Julie, and Julie had given up reading a novel written in the first person because, she reported, it confused her. She said, “The book kept saying, ‘I did this; and then I did that’; and I kept thinking, ‘no I didn’t!’”
Now, I have never had this problem. In the same circumstances, if my brain says anything, it says, “Yeah, I totally did do that, and lots more!”; but are there many Julies out there? By writing in the first person, am I taking a chance on limiting my future sales?
Julie and I are eager to hear from anyone who has more information on this important topic.
The Plotboiler 