Ant-Lands — Free for the Holidays!

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You’re probably bored by now, right?  Too much holiday cheer; too little time to yourself?  Here’s a thought:  Read a book.  My book.  In honor of the holidays, you can download a free copy of my post-apocalyptic novel, Ant-Lands, from now through January 10, 2017. Go to Smashwords and use this coupon code: ZJ72E

You may enjoy it. Let me know if you do.

Here’s the blurb on on Ant-lands.  Keep in mind that I HATE writing these things: Centuries after civilization was destroyed by genetically engineered workers called Ants, a small girl, victim of an Ant-raid, is rescued by a melancholic soldier; while in a town nearby, a schoolteacher struggles to build a new life. A horrifying revelation uncovers an unexpected bond between the three, which—provided they work together—may at last make it possible to defeat their common enemy.

And here is the first chapter:

on a night of no moon

A woman lay fully dressed on a straw-stuffed pallet on the floor of her hut in a tiny farming settlement and stared into the darkness of its single, dirt-floored room. Beside her, her small daughter was sleeping curled up like a kitten with her doll in her arms, but the mother lay rigidly alert to every soft night-sound. Life in the village of a dozen or so sod huts and barns was generally promising and secure. The early spring weather was pleasant and dry; the crops were greening the fields; and the Ants in the Ant-lands—as the woman reminded herself—were said to be going about their work nearly naked and wholly unshod.

This reassured her. Men who had nothing, having nothing to lose, might be driven by desperation to acts of aggression. But Ants judged that the time was right to make war on their neighbors when the harvests had been sufficient to feed workers to ret flax and weave linen for clothes, and cattle were plentiful enough that there were hides available to make shoes. A bare, hungry Ant worked passively all day in his colony’s fields, and Men in their own countries had nothing to fear from him.

The Ants were not insects, of course, despite their name. In fact, it was said that very long ago they had been man’s own creation, made to labor for him. Physically, they resembled man; though the Ancients had by some means no longer understood made every Ant entirely like every other one, so that all were identically short-statured, blue-eyed, and fair. But in that past age something had somehow gone desperately wrong; and man’s creation (made in his image), was now man’s feared enemy.

It was because the night was one of no moon that the woman was afraid. The watch in the watch-tower had been doubled, of course; but if one pair of eyes could make out nothing in the blackness, twice nothing was no improvement. In another hour or two, perhaps (she had no clock to tell her how many), the sun would rise and all would be well again. But while the dark persisted the mother lay without sleeping, and almost without breathing. She knew that the villagers were so few that their only hope in the event of an Ant-raid lay in the Ants finding them wide awake and forearmed.

A sound outside the shuttered window: A footstep. An early-rising neighbor? The woman sat up, and willed her heart to beat more softly so that she could hear. No second step followed the first, and she had lain down again and drawn a breath of relief when the unmistakable metallic whisper of a knife being drawn from a sheath brought her bolt upright again. More footsteps, a grunt, and the jostle of one body against another; and then a sound like heavy raindrops pelting to earth. When a head is struck from a body the heart does not immediately know to stop pumping, and blood spurts from the severed neck in a gory fountain. The sound was that of great gouts of a watchman’s blood falling from the watch-tower where the Ants had surprised him onto the ground below.

“Anne,” the woman whispered urgently, shaking the little girl awake. “Up, up.”

The child stumbled sleepily from the pallet. She knew instinctively not to speak.

Dragging the rough mattress aside, the woman felt for the hole dug in the earth beneath it.

Into her daughter’s ear she breathed softly, pushing her down into the cavity, “Here. Lie here: That’s right. Make yourself as small as you can.”

The child still clutched her doll. “Mama…” she whispered—just that one word.

Dawn was breaking at last—too late!—and mother and child could just see by it the gleam of one another’s eyes.

“Stay here, stay covered. No matter what happens, no matter what you hear, don’t move. All right? Not until you’re sure it’s safe.” But how would such a little one know? “I’ll come for you, if I can,” the woman whispered.

Another glint than her mother’s tear-bright eyes caught the little girl’s attention—that of the knife, a big one, in her mother’s hand.

The noises outside were growing louder and more frenzied. Gods! A child’s cry!

“Stay here, stay still; all right, Anne?”

The little girl nodded soberly.

A scrape at the door—

With a mother’s hungry eyes she devoured her child’s face one last time. “You must live,” she murmured, touching small Anne’s cheek. “You must try to live.”

The pallet in place again, the woman ran to the door and listened. She was waiting for the Ant who had tried it to move aside. She had already decided that she must not be taken inside the hut. She must get out somehow, clear of the door, and then run and run as hard as she could; and at last, when she was caught—she knew she would be caught—she must fight. Every step she ran led the Ants further from her child; every Ant that she tired by running was an Ant who would search the hut less carefully. And any Ant that she killed was an Ant who wouldn’t kill Anne.

In one swift movement, the woman threw aside the bar to the door and burst out.

She made it as far as the clearing surrounding the watch-tower, twenty steps or so from where her daughter lay shivering with fear, huddled in a hole in the ground with her doll in her arms. Eyes closed, the child kissed the doll’s face repeatedly, seeing in her mind as she did so her mother’s loved one—but she made not a sound. She was trying to live.

As she lay hugging her rag-baby, an Ant whose feet were bare and who wore only the ragged remains of what had once been a roughly-sewn shirt caught her mother by her long hair and flung her to the ground, and her mother, making good on her promise to herself, sprang up again slashing wildly with her knife.

She was not, in the end, able absolutely to kill the Ant. His own comrades performed that service for her later when the injuries she had inflicted festered, and he could no longer keep up with the common pace back to the Ant-lands. She fought him until another Ant, coming behind her, struck off her head with his great iron sword.

As soon as he had done so, both Ants immediately lost all interest in the woman. A dead Man was neither a threat nor plunder. As her body fell, Anne’s mother’s head rolled a little way, to the feet of another Ant. He kicked it casually aside.

Writing in the First Person

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I’m deep into writing another book—a sequel to Ant-Lands.  This is by popular request.  “Honey, write a sequel to Ant-Lands,” was a popular request of my husband’s.  I don’t usually read sequels myself, having formed an unfavorable opinion of them when I was six years old and wasted a week of my young life on the insipid Heidi Grows Up; but I feel like I owe my husband something for being my most faithful and supportive reader.  He once compared my work favorably to that of Joseph Conrad, his own preferred author, and though I don’t believe for a moment that he really thinks I’m in Conrad’s class, the memory of his heroic attempt to sound sincere when he said it is something I will always treasure.

Just to make a change from Ant-Lands, which was written in the third person, I’m writing the sequel in the first person.  I admit to feeling a certain hesitance about this—not because I don’t like writing in the first person (witness this blog), but because I’m haunted by a remark from a friend concerning the first-person point of view.

Her name was Julie, and Julie had given up reading a novel written in the first person because, she reported, it confused her.  She said, “The book kept saying, ‘I did this; and then I did that’; and I kept thinking, ‘no I didn’t!’”

Now, I have never had this problem.  In the same circumstances, if my brain says anything, it says, “Yeah, I totally did do that, and lots more!”; but are there many Julies out there?  By writing in the first person, am I taking a chance on limiting my future sales?

Julie and I are eager to hear from anyone who has more information on this important topic.